While the drama is still low key and unthreatening, there’s an additional layer of depth that helps turn the characters from from adolescent ideals to fully-realised characters. Get a few episodes into series two, though, and you’ll notice a subtle difference. Television ‘It changed my life’: The people inspired to come out by Heartstopper Read More At first glance, it’s almost as if nothing has changed. They don’t do drugs, barely drink, hardly ever swear, and, shock horror, talk to their parents about their lives. These teens aren’t sordid or scary or hyper-sexualised. Bingeing the show’s eight half-hour episodes feels like being enveloped in a four-hour hug.
Unlike any show before it, Heartstopper provided a wholesome representation of LGBTQ+ adolescence that celebrated queer identities with unapologetic joyfulness, offering an enviable and shame-free alternative to people’s teenage experiences.Īnyone hoping for a wild gear-shift for the show’s second series will be disappointed – round two of Heartstopper is still the TV equivalent of the heart eye emoji. Secondly, the show offered a wistful viewing experience for adult audiences, especially queer people. The fact that it was perfectly cast and breezy to watch was a bonus. Firstly, the show had a built-in audience: based on Alice Oseman’s wildly popular, million-selling young adult graphic novel series and adapted by Oseman herself, it was almost guaranteed to land with fans of the books. There are two reasons the first series of Heartstopper, Netflix’s heart-warming LGBTQ+ drama about the burgeoning romance between two teenage boys, was such a success.
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